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New Da Vinci Theories Crash Websites July 28, 2007

Posted by Joanne KY Teoh in News.
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A new theory that Da Vinci’s Last Supper might hide within it a depiction of Christ blessing the bread and wine is provoking a storm of interest on the internet. The claims have triggered so much interest that websites connected to the picture have crashed.

Slavisa Pesci, an Italian IT expert and amateur scholar, claims to have found a secret image of the Virgin Mary and a Knight Templar inside Leonardo da Vinci’s masterpiece The Last Supper. He said superimposing the fresco with its mirror-image throws up another picture containing a figure who looks like a Templar knight and another holding a small baby.

Pesci said the image can only be seen in a certain light and that he had to use his computer skills to reveal it. The sites had 15 million hits by midweek and organisers are trying to provide a more powerful server.

The websites are:
www.leonardodavinci.tv
www.codicedavinci.tv
http://www.cenacolo.biz

Composite version of The Last Supper, created by superimposing original with mirror image

Unveiling the theory this week, Pesci said in the superimposed version, a figure on Christ’s left appears to be cradling a baby in its arms and the two figures on either end of the table appear to become knights. He assigned no meaning to the images, but suggested they might have reflected Leonardo’s well-known interest in mathematics.

uvinci3.jpg
The ‘woman’ leans across the group in Christ’s direction…

uvinci2.jpg
… while on the other side two guests appear as knights

The director of a museum dedicated to the artist in his hometown of Vinci, was skeptical, saying “The Last Supper” (left) was so degraded by time that it was difficult to draw any new conclusions. The news may revive debate about the painting’s alleged hidden meanings, which was stirred up by Dan Brown’s bestselling book, The Da Vinci Code.

Of course, it’s amazing what Photoshop can do. Or if you squint just right, you’ll make out Harry Potter and Jar Jar Binks. Certainly with staring long enough, and believing hard enough, you’ll see whatever you want to see. Any famous painting for that matter, can be flipped to reveal a different image.

We seem to have moved from murderous carnage exacted by a monolithic religion to this silly season in a single weekend! Such is this zeitgeist that permits the conduct of such discourse on religious imagery without provoking zealots to proclaim the death sentence. In the spirit of Web 2.0 I say let judgement be passed by the “wisdom of the crowd.”

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1. Michael W. Domoretsky - July 31, 2007

The DaVinci project has been under way since 2005 with hundreds of “Pictures within Pictures.”. We are in the process of building a comprehensive documentary presenting these extraordinary findings.
Leonardo da Vinci, ” Pictures Within Pictures ”
Outside the box, outside the frame
An intimate and divine truth hidden for centuries at last unveiled in the Mona Lisa, and yes, in other of Leonardo’s works including his first recorded drawing, the Landscape of the Arno Valley and his masterpiece, The Virgin and Child with St. Anne and the infant St. John the Baptist, “the Last Supper” and others as well.
Anew never before recognized perspective hidden for five hundred years in plain sight, Emerges! Leonardo’s message,’ Pictures Within Pictures’
Outside the box, outside the frame
Five hundred years after Leonardo’s lifetime, his genius and message come to light in mirrors and optical illusions. His ” secret code ” have been hidden in plain sight to be deciphered outside the original borders of the painting using a ” perpendicular reverse mirror image process.” Leonardo, (actually Lionardo ) was a man of formidable intellect, talent, craft and most importantly a man of curiosity who observed ” truth ” in the world in all its forms…Physical, Philosophical, and Religious. He was hundreds of years ahead of his time, constrained by the religious tenets and politics of his day. As a result he was unable to express reality, as he perceived it, and so devised a means by which to conceal his truths from all those whom he did not want to understand them for fear of persecution. Being a man of science and art as well as one of the most inventive men of all time, he appears to have imbued his art with multiple levels of meaning; at one level beautiful works of art…On a second and un-deciphered level, until Michael Domoretsky discovered the images it in 2005, appears to challenge the dogma of his day and pass on his beliefs, observations and truths using a process that only one who perceived the world outside the accepted realm, a scientist or mathematician might discover.
The more in-dept and familiar one becomes with Leonardo the man, the more these unique finds make sense. Unlike other artist that are painters first, painting what they see or the impression of what they see, Leonardo appears to have been a scientist and inventor first, then artist, using his sharp powers of observation and reason to create both timeless works of art and as yet not fully deciphered messages for those not limited by traditional thinking.
The more carefully his words, deeds, apparent opinions and interest are studied
the more credence can be given to his seeking to preserve his thoughts and observations by unorthodox means.
Leonardo left clues… He was credited with having said; the eye, ” Who would believe that so small a space could contain the images of all the universe.” Leonardo believed that the perception by the eye; light, dark, shadow, and perspective held the secrets of the world. Hence, when you include Leonardo’s life long fascination with mirrors and writing backward it appears likely that he would choose to use constructs and concepts familiar and unique to him to transmit and yet hide from a restrictive and turbulent society, his most treasured messages.We welcome all comments by all interested parties and will post appropriate comments.
For hundreds of years scholars have continued to study Leonardo’s priceless works of art using the most cutting edge technologies available. In recent times millions of dollars have been allocated to perform all types of scientific studies seeking to determine if Leonardo hid anything underneath his finished works…all within the frame of his artworks. The plain and obvious truth is that he did hide things… however Leonardo was forced to work within the limitations and utilized the technologies of his day. His meanings are in plain sight but only for those able to think outside the box and frame. All of the writings and documents relating to Leonardo, point to his being deliberate and patient in everything he did, both in his creations and his art; so it would appear all but inconceivable that in his major and personally treasured works, that every detail would have been a deliberate act of thought, and not an inadvertent inclusion. A minor anomaly in a masterpiece might happen, though unlikely in multiple of masterpieces by such a perfectionist. Clearly recognizable, perfectly formed symmetrical symbols on both sides of his best masterpieces, utilizing mirrors, a technique Leonardo was well know to have used, make it being anything but intentional, all but impossible. You be the judge.
We welcome comments by all interested parties and will post appropriate comments.
All rights reserved, no unauthorized copying or republishing without express written permission by owner.
Copyright; Michael W. Domoretsky / http://www.lionardofromvinci.com / 2005~2007~
Da Vinci and the Secret of the Mona Lisa, article by: ThothWeb, http://www.thothweb.com/article-4011–0-0.html
The da Vinci Project
Managing Director: Michael W. Domoretsky Director: M. Graham Noll

ANSA.IT

Secret image ‘found’ in Last Supper
Madonna, Templar hidden in masterpiece, says expert.
Pesci Slavisa has indeed found one of the many “Pictures in Pictures” “outside the box, outside the frame,encrypted by DaVinci in his various paintings found originally by Michael W.Domoretsy and the DaVinci project in 2005. We congratulate Mr. Slavisa on independently duplicating our discoveries. We welcome independent corroboration and recognition of images that use the mirroring image technique, and the optical illusion within Leonardo da Vinci’s masterpieces, first discovered, understood, and documented in 2005, by Mr Michael W. Domoretsky of Ipswich Massachusetts u.s.a,
As usual, as is our experience repeated time and time again, renowned art critics and professed art experts, such Vittorio Scarbi and many others, base their opinions on accepted art world and art education precepts looking at DaVinci’s works as artists not scientists, inventors and very likely a member of the Mason’s guild (though unproven). Few if any of these “accepted” experts have read his notes in detail or studied the man himself and thus fail to understand and make the connection that he worked outside the box. DaVinci was known to have used mirrors extensively in his writings. It is therefore highly likely and to be expected that he would do something similar in his paintings if he sought to hide ideas, concepts or opinions.
We submit that only someone “as ignorant as a goat” could fail even to consider that a man of DaVinci’s genius and propensity for innovation might possibly think and communicate outside the box, with hidden images, or hide his, what might possibly be considered, heretic or dangerous free thinking ideas by encrypting them in his works of art.
As always it is difficult to persuade experts professing established thought in any field to consider new, alternate or previously un accepted ideas…. But then the experts thought the world was flat for centuries…
The da Vinci Project
Managing Director,
Michael W. Domoretsky

2. Luke - July 31, 2007

I think it’s just another hoax….
Here’s my little article:
http://voip-tech.blogspot.com/2007/07/da-pesci-code.html

3. khengze - July 31, 2007

Thank you Michael and Luke for the considered perspectives on a subject that has gripped the imagination of netizens.

4. Martin Jones - September 11, 2007

I found a website about the holy grail at google search results. This website is very exciting. The author says that he will publish information about the location of the holy grail. He decoded Shugborough Code. Can it be true according to you?

Regards,

5. Last Supper Image go on the Web « Webs@Work - October 28, 2007

[…] The latest theory by Slavisa Pesci led Web sites linked to the mural to crash. Pesci said the superimposition of the mural with its mirror-image threw up another image containing a figure looking like a Templar knight and another holding a small baby. See my post New Da Vinci Theories Crash Websites. […]

6. july - December 11, 2007

La ultima cena es la mayor revelacion que ha dejado Leonardo Da Vinci al mundo sobre la traicion de pedro ” tocando mujer ajena”

THE MIRROR OF THE SACRED SCRIPTURE & PAINTINGS thanks you for your visit and interest in our research.

We do respect our comments and surprise of a great number of our visitors regarding the image of God represented by the Renaissance artists, that does not meet their expectations, is the reason why we’re posting this brief explanation as to why the fearful God Jahveh from the Old Testament was represented with a face that inspires fear, and why the God of the New Testament varies his temper and becomes a kind God.

Below you will find biblical references that allude God´s anger in the Old Testament that would explain the fearful image represented by Da Vinci as the Virgin Mary’s banner.

The evidence presented in our book indicate that the artists would have been part of a cultural movement that, simultaneously, executed the artworks and the sacred biblical scriptures after the 15th century, and that they had knowledge of the allegories mentioned in many biblical versicles and in Philo of Alexandria´s works, and represented them in their artworks to only be viewed with mirrors.

All the images, that one sees with mirros, are related to an explanation, given by Philo of Alexandria, regarding the scriptures, that reveals that Moses’ words are far from representing the reality of the facts and that is what impedes its true interpretation. In this sense, he claims that the biblical genesis does not describe, in any way, the symbolic birth of the human race, but is an allegory about the origin and evolution of the human intelligence, called “Adam”, that resides within the everyones mind before it receives instruction.

In this context, the artists left behind evidence that would prove, as explained by Philo, that the Bible is not ths history of human beings and that the ancient wars and the ones mentioned in the Bible are allegories of the struggle that occur within one’s mind when the virtues of instruction fight to battle the vices of the animal instinct within us.

Everything indicates that a powerful oriental cultural movement introduced its spiritual religion to occident, and that the occidental church, after the concilium, converted it to a history of human beings.
The numerous evidence found, indicate that Leonardo da Vinci is a pseudonym, and that the spirt of this powerful movement was betrayed by the lack of knowledge of the occidental church on this matter, transmitted in a disorderly manner by Peter’s sayings (symbol of the inverted crucification) that didn’t comprehend the spiritual history and transmitted it as a human history; and this historical error was represented in the mural of The Last Supper as a treason, and in which Da Vinci hid the secret of the true Eucarist and the true identity of the guilty in Peter’s attitude and face when he has before him the greatest revelation of the christian history, subtly referred to by the biographer Giorgio Vasari.

The occidental chuch would have been the one, according to Philo, the one that with its extra biblical conciliums denigrated this powerful movement, humanizing the artists and ridiculing them by cataloguing them as simple paintors and homosexuals.

The mirror, as a sacred symbol of the oriental wisdom, was used by this powerful movement to introduce its religion in occident under the figure of Christianity, a secret tha Da Vinci would have passed to the king of France, Frances the 1st, to whom he handed the three paintings that the artist kept until his death, The Gioconda, John the Baptist, and Saint Anne, the Virgin and child.
We presented these on our website after comunicating this to the Vatican, the Musée du Louvre and The National Gallery, and receiving no answer.

In The Last Supper Da Vinci represented the versicle Luke 22:20 that reveals the Eucarist of the soul must be celebrated spilling the grail, as found with the mirror between Jesus’ hands: “And likewise the cup after they had eaten, saying, “This cup is the new covenant in my blood, which will be shed for you.””

In the painting of Saint Anne, the virgin and child Da Vinci represented several versicles that refer to the face hidden in Mary, in which the holy spirit and the sword were represented with the mirror that allows one to see the sacred image on her shoulder (Isaiah 9:5; Luke 2:35; Luke 1:35; Luke 1:46 ss).

Isaiah 9:5: “For a child is born to us, a son is given us; upon his shoulder dominion rests. They name him Wonder-Counselor, God-Hero, Father-Forever, Prince of Peace.”

Luke 2:35: “(and you yourself a sword will pierce) so that the thoughts of many hearts may be revealed.”

Luke 1:35: “And the angel said to her in reply, “The holy Spirit will come upon you, and the power of the Most High will overshadow you. Therefore the child to be born will be called holy, the Son of God.”

Luke 1:46 ss: “And Mary said: “My soul proclaims the greatness of the Lord”; 47: “my spirit rejoices in God my savior.”; 48: “For he has looked upon his handmaid’s lowliness; behold, from now on will all ages call me blessed.”; 49: “The Mighty One has done great things for me, and holy is his name.”; 50: “His mercy is from age to age to those who fear him”; 51 “He has shown might with his arm, dispersed the arrogant of mind and heart.”

Here are some versicles that explain the anger of Israel’s God and his fearful face (Exodus 12:23; Judith 16:2; 1 Corinthians 10:9; Hebrews 11;27,28; Numbers 16:19; Deuteronomy 28:49,50; Deuteronomy 31:17,18; 2 Chronicles 30:9; Psalms 21:10; Psalms 67:2; Psalms 68:9; Psalms 96:9; Lamentations 4:16; Jeremiah 33:5; Ezekiel 15:7; Ezekiel 39:23,24; Ezekiel 39:29; Zechariah 7:2; 1 Peter 3:12; Revelation22:4)

Exodus 12:23: “For the LORD will go by, striking down the Egyptians. Seeing the blood on the lintel and the two doorposts, the LORD will pass over that door and not let the destroyer come into your houses to strike you down.”

Judith 16:2: “For the Lord is God; he crushes warfare, and sets his encampment among his people; he snatched me from the hands of my presecutors.”

1 Corinthians 10:9,10: “Let us not test Christ as some of them did, and suffered death by serpents.” “Do not grumble as some of them did, and suffered death by the destroyer.”

Hebrews 11;27,28: “By faith he left Egypt, not fearing the king’s fury, for he persevered as if seeing the one who is invisible.” “By faith he kept the Passover and sprinkled the blood, that the Destroyer of the firstborn might not touch them.”

Numbers 16:19,20,21: “Then, when Korah had assembled all his band against them at the entrance of the meeting tent, the glory of the LORD appeared to the entire community,” “and the LORD said to Moses and Aaron,” “”Stand apart from this band, that I may consume them at once.””

Deuteronomy 28:49,50: “”The LORD will raise up against you a nation from afar, from the end of the earth, that swoops down like an eagle, a nation whose tongue you do not understand,” “a nation of stern visage, that shows neither respect for the aged nor pity for the young.”

Deuteronomy 31:17,18: “At that time my anger will flare up against them; I will forsake them and hide my face from them, so that they will become a prey to be devoured, and many evils and troubles will befall them. At that time they will indeed say, ‘Is it not because our God is not among us that these evils have befallen us?’” “Yet I will be hiding my face from them at that time only because of all the evil they have done in turning to other gods.”

2 Chronicles 30:9: “For when you return to the LORD, your brethren and your children will find mercy with their captors and return to this land; for merciful and compassionate is the LORD, your God, and he will not turn away his face from you if you return to him.””

Psalms 21:10: “At the time of your coming you will drive them into a furnace. Then the LORD’S anger will consume them, devour them with fire.”

Psalms 67:2: “May God be gracious to us and bless us; may God’s face shine upon us.”

Psalms 68:8,9: “God, when you went forth before your people, when you marched through the desert,” “The earth quaked, the heavens shook, before God, the One of Sinai, before God, the God of Israel.”

Psalms 96:9: “bow down to the LORD, splendid in holiness. Tremble before God, all the earth;”

Lamentations 4:16: “The LORD himself has dispersed them, he regards them no more; He does not receive the priests with favor, nor show kindness to the elders.”

Jeremiah 33:5: “men come to battle the Chaldeans, and these houses will be filled with the corpses of those whom I slay in my anger and wrath, when I hide my face from this city for all their wickedness.”

Ezekiel 15:7: “I will set my face against them; they have escaped from the fire, but the fire shall devour them. Thus you shall know that I am the LORD, when I turn my face against them.”

Ezekiel 39:23,24: “The nations shall know that because of its sins the house of Israel went into exile; for they transgressed against me, and I hid my face from them and handed them over to their foes, so that all of them fell by the sword.” “According to their uncleanness and their transgressions I dealt with them, hiding my face from them.”

Ezekiel 39:29: “No longer will I hide my face from them, for I have poured out my spirit upon the house of Israel, says the Lord GOD.”

Zechariah 7:2: “Bethelsarezer sent Regemmelech and his men to implore favor of the LORD”

1 Peter 3:12: “For the eyes of the Lord are on the righteous and his ears turned to their prayer, but the face of the Lord is against evildoers.””

Revelation22:4: “They will look upon his face, and his name will be on their foreheads.”

7. july - December 30, 2007

No hay duda que el Vaticano sabe que en La ultima cena Da Vinci o los artistas creadores del Renacimiento han dejado un secreto en esta pintura que solo se puede ver con espejos , y por esa razon han publicado esta estupidez que los diarios de España han publicado de Slavisa Pesci , ensuciando el mas grande secreto dejado a la humanidad sobre la verdadera histroia de la Biblica .
Da vinci ha dejado el secreto de la traicion de que Pedro es el traidor en la ultima Cena , por eso ha pintado a Jesus con los brazos abiertos mostrando que la Copa que la iglesia catolica se toma en cada eucaristia , hay que volcarla ( derramarla) segun esta explicado en los evangelios .
¿ acaso los cristianos no leyeron la Biblia?
¿ No saben que Jesus dice esta copa se derrama por vosotros , y haganlo en memoria mia , como simbolo del perdon de los pecados ?
¿ acaso no saben que pedro nego a jesus tres veces ?
¿ acaso no saben que pedro nego ser discipulo de Jesus?
¿ acaso no saben que jesus llamo a pedro SATAN?
¿ acaso no saben que pedro te3nia las llaves del reino , pero jesus no lo dejo entrer?
¿ acaso no saben porque pedro fue crucificado al reves?
¿ acaso no ven a pedro poniendo la mano izquierda en el hombro de Maria y que ese es el pecado del genesis que mato a adan , y que jesus condena con la muerte ?
¿ no saben los cristianos que cuando jesus habla del traidor que pondra la mano en el plato , esta hablando de pedro?
¿ saben porque? porque el plato es la mujer ( la sensibilidad ) que solo puede ser tocada por la razon humana , porque es el plato que la alimenta , o acaso no ven porque los platos estan vacios ? que se creyeron que era un asado?
En la historia espiritual , como lo es la biblia , el alimento es la enseñanza , de la cual se instruye la inteligencia , y en este acto de educacion espiritual , pedro esta faltando el respeto al mas grande mae4strto de la historia .
Poe eso pedro es la piedra sobre la cual edifico la iglesia , por esa razon el Baldaquino esta sobre la tumba de pedro , para que jamas salga de ahi , por que es un irracional ignorante que jamas aprendioo la leccion que Da Vinci oculto con espejos , ¿ saben proque ? porque el espejo es un simbolo de oriente , que los occidentales jamas entenderan.

8. july - December 31, 2007

Si alguien repasa la leyenda de las cruzadas, sabran que el papado de las iglesias occidentales ordeno el saqueo de los palacios de Constantinopla ( estambul ) donde la mezquita Santa Sofia , es la gloria y cede de la sabiduria oriental de la cual se robaron todas las obras de arte que hoy se exiben en europa sin olvidar que dice la leyenda que para esto debieron matar a ancianos mujeres y niños.
Esto quiere decir que las obras de arte son orientales , quienes segun Filon de Alejandria adoraban la historia espiritual de la biblia .
Esto demostraria que los cristianos occidentales se rien de las imagenes que se ven con espejos en las obras de Da VInci ,porque desconocen al igual que el Vaticano el significado de los mismos en oriente .
Esta imagen que se ve con espejos en la pintura de Da Vinci en el hombro de Maria demuestra que la biblia es la historia espiritual de la inteligencia y los cinco sentidos , ( hombre Biblico) y no una historia humana como nos hizo creer el ignorante de pedro .
Por esa razon Da Vinci ha dejado este secreto en sus pinturas que los ignorantes occidentales no pueden comprender y se rien de la mas grande traicion realizada a la iglesia oriental.
Pedro es en la historia espiritual el que traiciono al cristo, lo nego tres veces , nego ser su alumno , fue llamado satan, le entregaron las llaves del reino y no pudo deguir a jesus , en la ultima Cena esta tocando mujer ajena , que es el plato que menciona jesus, porque en la historia espiritual el alimento es la instruccion del cual se alimenta la inteligencia .
En sintesis , de que se rien y opinan aquellos que jamas vieron algo parecido , y pecan de soberbios creyendo que con su opinion pueden cambiar la gran traicion pintada por Da VInci , que lejos de ser un hombre representa a la sabiduria oriental , el mas poderoso movimiento cultural llegado a la tierra

9. july - December 31, 2007

Creo que Da Vinci es el espiritu sagrado y el esepjo de la sabiduria Oriental , el Cristo del Renacimiento, que permitio con su sabiduria el despertar de la raza humana .
El es el enviado , el simbolo de la ciencia , representado en la imagen de la virgen maria y el cristo que en la Filosofia Oriental representa esta mujer representa segun Vasari a los cinco sentidos que cuando son gobernados por la sagrda y divina razon , dan a luz a la ciencia , que fue representada con un espejo , como el simbolo universal del conocimiento que permitio con los descubrimientos del siglo XX sacar a la humanidad de la ignorancia .
Por alguna razon Da Vinci dice ” veo al cristo crucificado ” en una clara expresion de como la iglesia catolica de occidente niega a la ciencia y ha crucificado a este genio tildandolo de pintor , cocinero , y homosexual, sin saber que en la historia espiritual que predica oriente , todo hombre (inteligencia) tiene un discipulo amado a quien respetar y esa es la sensibilidad ( maria) es decir los cinco sentidos que dan vida al alma y que Da Vinci ubica dentro del cerebro .

10. july - January 14, 2008

lAS IMAGENES INVISIBLES DESCUBIERTAS POR http://WWW.MIRRORANDART.COM EN LAS OBRAS DE ARTE DEL RENACIMIENTO , EN PINTURAS Y ESCULTURAS DE MIGUEL ANGEL , RAFAEL , DURERO DEMUESTRAN QUE DA VINCI Y LOS ARTISTAS NO EXISTIERON COMO PERSONAS , SINO QUE FORMAN PARTE DE TODA LA HISTORIA ESCRITA DESDE LA BIBLIA HASTA NAPOLEON , COMO UN CODIGO GENETICO DE LA EVOLUCION DE LA HUMANIDAD.
ES FILON DE ALEJANDRIA ( SIGLO I ) Y RUDOLF STEINER ( SIGLO XX ) ,QUIENES REVELAN QUE TODA LA HISTORIA ESCRITA ES UNA ALEGORIA Y EL ESPEJO ES LA LLAVE , QUE PERMITE COMPRENDER COMO TRABAJAN LOS SENTIDOS DENTRO DE LA MENTE.
http://WWW.MIRRORANDART.COM REVELA QUE EL VATICANO EL MUSEO DEL LOUVRE Y MUCHOS MAS CONOCEN EL SECRETO DE LOS ESPEJOS QUE DEMUESTRA QUE LA BIBLIA ES UNA HISTORIA ESPIRITUAL Y DE INSTRUCCION Y NO UNA HISTORIUA HUMANA , ( LEER NIETZSCHE, JACK ROUSEAW , ) .
lA SAGRADA FAMILIA , LA ULTIMA CENA , JUAN BAUTISTA, LA VIRGEN DE LAS ROCAS Y LA GIOCONDA SON CUADROS-FOTOGRAFICOS CUYA TECNICA DEL ESFUMATO Y DEL ESPEJO GUARDAN ESTE MISTERIO SECRETO DE LA CREACION DEL MUNDO ANUNCIADO EN LA BIBLIA ( MT 13:35) Y QUE REVELARA EL LIBRO ” THE MIRROR OF THE SACRED SCRIPTURE AND PAINTINGS”.
eL VATICANO FUE COMUNICADO HACE UN AÑO DE ESTE SECRETO Y COMO EJEMPLO DE LO QUE SON LO HAN OCULTADO , TAPANDO LA ULTIMA CENA CON LA RIDICULA PRESENTACION DE SALAVISA PESCI.
ES EL VATICANO , LA IGLESIA QUE HA USURPADO EL NOMBRE DEL CRISTO HACIENDOSE REPRESENTANTES DE DIOS , CUANDO ESTOS FILOSOFOS ( FILON Y STEINER) REVELAN AL MUNDO QUE DIOS ES LA SOBERANA RAZON HUMANA QUE BRINDA A LA INTELIGENCIA Y A SUS CINCO SENTIDOS ( ALMA) EL DON SAGRADO DEL CONOCIMIENTO QUE FUE LLAMADO “CRISTO” Y ES LA LUZ QUE ILUMINA LA MORADA DEL ALMA ( LA CONCIENCIA) Y ELEVA NUESTRO SER A LA ESENCIA SUPREMA DEL YO ( EL AUTOCONOCIMIENTO ) QUE NOS PERMITE CONFESARNOS A NOSOTROS MISMOS .
eL PECADO DEL CRISTIANISMO MODERNO ES LA PRESUNCION , Y LA SOBERBIA Y ES EL PECADO DE LA IGNORANCIA QUE FORMA PARTE DE LA INSTRUCCION LEGADA A LA HMANIDAD , COMO UN CODIGO GENETICO LLEGADO DE LAS ESTRELLAS

11. july - January 14, 2008

LA BIBLIA ES LA HISTORIA DE JUAN BAUTISTA ( JESUS NATHAL) QUE SE CONVERTIRA EN UN DIOS CUADO RECIBA EL BAUTISMO DEL CRISTO Y RECIBA EL CONOCIMIENTO DEL YO QUE LO CONVERTIRA EN EL JESUS DE NAZARET .
EL EVANGELIO DE JUAN ES EL VERDADERO MENSAJERO DE LA HISTORIA ESPIRITUAL QUE DEMUESTRA QUE CUANDO JUAN RECIBE AL CRISTO SE CONVIERTE EN JESUS , Y EL QUE ESTA COLGADO EN LA CRUZ NO ES EL CRISTO ( YA QUE EL CRISTO VOLVIO A LOS CIELOS DE LA MENTE) SINO LA PECADORA INTELIGENCIA DE JUAN BAUTISTA ( EL HOMBRE VIEJO ) CUYAS MANOS Y PIES FUERON CLAVADAS EN LA CRUZ PARA QUE NO VUELVA A ADOPTAR LA POSICION PECADORA EN LA QUE LO DIBUJO O PINTO DA VINCI .
POR ESO EL MISTERIO DE LA PIEDAD , MARIA ES LA SENSIBILIDAD QUE SE VUELVE A CONVERTIR EN VIRGEN( EVA) Y EL CUERPO QUE YACE SOBRE SUS BRAZOS ES JUAN BAUTISTA Y LO DEMUESTRA LA POSICION DE SU CUERPO SI SE LA COMPARA CON EL CUERPO SENTADO DE JAN BAUTISTA .WWW.MIRRORANDART.COM

12. p.dunne - February 2, 2009

Isnt the woman on the rigth hand side supposedto be mary magdalene

13. The Cybermacht - December 16, 2009

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